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Robin Hood Review – Ridley Scott & Russell Crowe’s Latest Collaboration
May 11th

Ridley Scott’s Robin Hood is the origin myth of the heroic outlaw we all know and love, it pretty much functions as a prequel to the Robin Hood stories we have grown up on, this makes a more human and gritty Robin Hood than we’ve seen on screen before, especially compared to the sh*tty Kevin Costner version. Robin Hood serves as Director Ridley Scott and Russell Crowe’s fifth collaboration, and Ridley Scott’s third sword and sandal epic alongside the brilliant Kingdom Of Heaven and the EVEN more brilliant Gladiator. Although a sufficient addition to their fine collaborations, I left the screening with mixed feelings.
Parts of Robin Hood were a complete triumph, particularly the visuals, there is no doubt Ridley Scott is one of the finest film makers when it comes to making you believe you are in the world he’s created, so many period drama’s look like CGI’fests, this film feels one hundred percent organic. Yet the score slightly took away from that, it had no heart at all, I was fully aware which points of the film I was ‘supposed’ to feel a certain way by a few plodding strings, this took a lot away from an emotional point of view, it didn’t mix well for me, visually I felt engrossed in the period, yet due to the music I kept remembering I was watching a film, which in cinema is a crime.
Another issue I had mixed feelings about was that I felt the film’s basic principles have been covered by Ridley Scott before in both Gladiator and Kingdom Of Heaven, particularly corruptive power, courage, humanity and the distortion of religion for profit, I’m not completely mad at that though, it is still a problem our current world faces, and it gives the film purpose, I just wished the script approached it a little more creatively. I think because it wasn’t dealt with originally I wasn’t as emotionally invested in the film as I was in his previous works, I wasn’t anywhere near as moved as I was in Gladiator, even though the film was thrilling and a lot of fun I always felt like I knew what will happen and that everything will be fine in the end.
Russell Crowe exudes the intense courage and humanity a figure like Robin Hood warrants, yet I was surprised by how little he was used, he doesn’t really say that much, and what he does say he mumbles, there was only one exceptionally stirring bit of dialogue I can recall – when he promotes the charter of liberties, which compared to ‘ARE YOU NOT ENTERTAINED‘ and ‘My name is Maximus Decimus Meridius, commander of the Armies of the North, General of the Felix Legions, loyal servant to the true emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. And I will have my vengeance, in this life or the next.‘ it’s not exactly wet your pants in excitement material! The film is crammed with great performances in general though, Mark Strong the current ‘rent a villian’ is great as the villainous Godfrey, and in fact every cast member pretty much cements their place as their particular character in the Robin Hood story.
Overall Robin Hood is a mixed bag, I would definitely recommend it, I just wouldn’t call it one of Ridley Scott or Russell Crowe’s better movies. If you enjoy great visuals, mixed with muddy action, heroism and great performances it’s a must. Robin Hood is in cinemas now.
7.5/10
Final Wolfman Poster. Finally Set For Release Febuary
Jan 24th
I’ve been looking forward to this for well over a year now, I almost gave up hope after the release date kept getting moved around, it was originally scheduled to be released all the way back in November 2008. Talk of re-shoots, the change of composer and the change of directors put a downer on this for me. The latest trailer and a couple clips brought back my faith though, I always enjoy Benicio Del Toro and Anthony Hopkins as well. After all this Twilight crap we need a good Wherewolf/monster film! I’ve got my fingers crossed I’m still not fully convinced though.
Inspired by the classic Universal film that launched a legacy of horror, THE WOLFMAN brings the myth of a cursed man back to its iconic origins. Oscar® winner Benicio Del Toro stars as Lawrence Talbot, a haunted nobleman lured back to his family estate after his brother vanishes. Reunited with his estranged father (Oscar® winner Anthony Hopkins), Talbot sets out to find his brother…and discovers a horrifying destiny for himself.
Lawrence Talbot’s childhood ended the night his mother died. After he left the sleepy Victorian hamlet of Blackmoor, he spent decades recovering and trying to forget. But when his brother’s fiancée, Gwen Conliffe (Emily Blunt), tracks him down to help find her missing love, Talbot returns home to join the search. He learns that something with brute strength and insatiable bloodlust has been killing the villagers, and that a suspicious Scotland Yard inspector named Aberline (Hugo Weaving) has come to investigate.
As he pieces together the gory puzzle, he hears of an ancient curse that turns the afflicted into werewolves when the moon is full. Now, if he has any chance at ending the slaughter and protecting the woman he has grown to love, Talbot must destroy the vicious creature in the woods surrounding Blackmoor. But as he hunts for the nightmarish beast, a simple man with a tortured past will uncover a primal side to himself…one he never imagined existed.







