Posts tagged press conference
Mark Wahlberg Admits M. Night Shyamalan’s ‘The Happening’ Was A Bad Movie
Nov 22nd
Speaking at a press conference for his upcoming movie ‘The Fighter’, Mark Wahlberg hit the nail on the head by admitting how immensely sh*t M. Night Shyamalan’s ‘The Happening’ was (he wasn‘t quite that harsh). When asked to talk about his co-star Amy Adams, Wahlberg revealed that they had met previously for ‘The Happening’, which Adams eventually dropped out of and was replace by Zooey Deschanel:
‘I was such a huge fan of [Amy Adams]. We’d actually had the luxury of having lunch before to talk about another movie, and it was a bad movie that I did. She dodged the bullet. I don’t want to tell you what movie… All right, The Happening with M. Night Shyamalan. It is was it is. F*cking trees, man, the plants. F*ck it. You can’t blame me for wanting to try to play a science teacher. You know? I wasn’t playing a cop or a crook.’
I’ve got a lot of time for Mark Wahlberg, it’s rare to see an actor tell it how it is. ‘The Happening’ was a huge, steaming, smelly turd of a film if there ever was one, it made Shyamalan’s previous shit film, ‘Lady In The Water’ look like a masterpiece. Hats off to Wahlberg!
Mila Kunis & Vincent Cassel Interview For Darren Aronofsky’s Black Swan
Oct 26th
At the 54th BFI London Film Festival I had the great pleasure of catching up with Vincent Cassel and Mila Kunis to talk about Darren Aronofsky’s fantastic new film ‘Black Swan’. The film is breathtaking, you won’t see a more haunting yet completely enchanting movie this year. Check out what they had to say below. If you missed my interview with Natalie Portman for the film you can find it here.
What was it like working with Natalie? She must have been very consumed by this demanding role.
Vincent Cassel: It was easy working with her, very easy. She was very focused on the dancing. I was very impressed by the amount of work she put into her physical transformation as a dancer. With our scenes together, she really went for it, she’s not like a typical actress who doesn’t want to kiss or whatever, she really just goes for it. And she did it really well, so it was easy.
Mila Kunis: She was absolutely fantastic to work with, I was very lucky that I got to work with a friend of mine. She’s a brilliant actress and amazing to watch, and she’s great off screen.
Vincent Cassel: But what about the kissing Mila, do you agree with me (laughs)?
Mila Kunis: Yes….What he said (laughs).
What was the hardest part of your role Mila? I read you suffered some injuries.
Mila Kunis: The physicality really was the hardest, everything else kind of came alongside that. Just transforming your body at the age of 26. I wouldn’t say I was alone in this, I think everybody across the board….if they played a dancer somehow, somewhere they got hurt. I’d say that was the most challenging for myself.
Do you find that dancers and actors are different breeds? Do they approach their work in a very different way to actors?
Mila Kunis: Yes and no, both are incredibly competitive in a certain way. Dancers have a perception of perfection that I don’t think actors necessarily do, actors always feel that for every part there is always something they can do differently and that there is no such thing as perfect. Where as a dancer spends their entire career trying to achieve something that is impossible, but they’re both incredibly disciplined. I’ve never met anybody in any industry as disciplined as a ballerina, I’ve seen actors call in sick, but I’ve never seen a ballerina call in sick, and that’s a testament to their work ethic.
Vincent, your character definitely seems to talk the director talk, is there anyone in particular that you studied for your part?
Vincent Cassel: Yes but it’s not Darren (laughs). Maybe on some levels. When I was much younger I had the opportunity to be really close to a man called Michael Bennett, who was the director of Chorus Line, Dreamgirls, Ballroom, he was actually one of the biggest Broadway directors ever and a good friend of the family. My father actually had a part in one of his plays ‘Chorus Line’, in London. So I have seen him work with the dancers, and he was really close to what I’m doing in the movie. Meaning that he was a jerk with the dances, but it was only to get them where he wanted them to go. However he was gay and that’s a pretty big difference because my character is not gay at all, he uses his sexuality to direct the dancers. He’s actually using his sexuality to direct his dancers, so it was a different take. But it’s very much about this guy. It’s a mix of lots of guys. These guys move like they rule the world, at least in the ballet industry.
Black Swan is set for release in the UK 11th February 2011
Christopher Nolan & Leonardo DiCaprio Interview For Inception
Jul 13th
A ridiculously talented director + a great cast + an interesting and original story + amazing imagery + jaw dropping action + heartfelt emotions= win win win win win win win win win win……and more win. Inception is finally in cinemas now and believe you me it does not disappoint. By a stretch it’s my favourite film of the year, Christopher Nolan has truly become the modern master of balancing entertainment and substance. 2010 has been a great year for Leonardo DiCaprio after an amazing performance in Shutter Island and now with an even more astonishing performance in Inception. I caught up with Christopher Nolan and Leonardo DiCaprio – two men at the top of their games - at the London Press conference for Inception. Check out what they had to say below:
What was your initial inspiration behind Inception, and how did it develop into the movie it is today?
Christopher Nolan: I’d always wanted to make a film that addressed dreams, and do something set in that world. About ten years ago I focused in on the idea of a exploring a technology that might allow people to share dreams, and the uses and abuses of that, and came up with this idea of doing a heist film set in the world of dreams with a technology that could be used to penetrate a person’s subconscious.
Inception is an emotionally complex and complicated film. When you were first approached to appear in the film, did you understand it?
Leonardo DiCaprio: It certainly took a couple of readings, but it was really the interaction with Chris, one-on-one. It’s an idea that’s been locked in his mind for eight years now. So for me a lot of the preparation was understanding what he wanted to accomplish and achieve. Being able to sit down with him and understand that he had this concept of doing a highly entertaining Hollywood film, that is existential, cerebral, surreal, and that delves into various states of the subconscious. The way that he wanted to put that up on screen involved us really talking with him at great lengths to truly understand his concepts.
How did you find the process of creating the rules of Inception’s dream worlds, as compared to the realism of The Dark Knight?
Christopher Nolan: I think that with every film you take on, you try to establish the rules and the tone of what you’re working with. In taking on the idea of dreams, you have a real burden on the rules of the film, because dreams are infinite and have infinite potential, which is the thing that really makes them fascinating in the first place. But it also makes them hard to address in drama, because anything can happen, and therefore how does anything matter? The rules of the world were designed to impose limits. The key thing for that, in my head, was to make it the story of a con, as soon as you take on the idea of trying to fool somebody and creating a reality for somebody else, naturally the team have to adhere to certain rules within the dream to avoid fracturing the reality of it.
Did you have get up to scratch on the world of dreams when researching your role?
Leonardo DiCaprio: I tried to take a very traditional approach to researching this film and read the analysis of dreams immediately and tried to pick apart the psychology of what things represented in the dream world. But I quickly realised that this was a whole new type of preparation, that meant basically talking with Chris at great length about this cathartic therapy session my character goes on, the psychoanalysis. In doing that we created this really powerful emotional journey.
As far as the analysis of the dreams in this movie, and how Chris was going to make four different states of the human subconscious interact with each other in a cohesive plot structure, I left that ENTIRELY up to Chris (laughs). I did not want to get involved, because Chris is obviously very capable of pulling off complex narratives like this and making them emotionally engaging for an audience. It’s reassuring as an actor to know you’re dealing with someone who has a great track record of accomplishing stuff like that. As far as my own dreams, I’m not a big dreamer, I think obviously we suppress things in life, emotions and thoughts, we wake up, and we should look at that. Ironically I had a really powerful dream the other day, I won’t get into the details of what it was but I remember sitting there saying to myself, forgetting totally that I’ve done this movie, but saying to myself, wait a minute, these details in this dream are real and I can create these dreams and manipulate the environment, I’ve heard this somewhere before (laughs). And I started to play with the dream in a very surreal way. I had that moment of knowing I was dreaming and being able to combat my surrounding so it was kind of cool. I had no previous knowledge I had done Inception or heard of this movie in that dream state so it was kind of fun.
The film was kept under a wraps. Why was this, and was it difficult to maintain such secrecy?
Christopher Nolan: It’s difficult to keep anything fresh in movies these days, with technology being what it is people seem to know everything there is to know before you’ve even made it. For me, as a film goer, I like nothing more than to sit in a cinema, have the lights go down and not know what I’m about to see and every time we go to make a film we do everything we can to just systematize things so we’re able to make the film in private. So then once it’s finished it’s up to the audience to make of it what they will.
What were the challenges of making this movie?
Christopher Nolan: For me, the underlying tone of the thing is best summed up by Leo’s character in the film when he says that dreams feel real while we’re in them. So everything we did in a production sense was an attempt to try and retain a tactile sense of reality to the world of the dreams, so they felt like possible worlds even as impossible things were happening. This creates challenges for all departments, for example, when you have a freight train barrelling down the street smashing cars and things. We wanted to do these things for real, so they would feel possible to the audience and that we wouldn’t have an obviously surreal quality to things. That’s why we went to all these locations and travelled all around the world, and shot in blizzards and so forth.
Inception is in cinemas NOW (finally!)
Invictus Press Conference with Clint Eastwood, Morgan Freeman & Matt Damon Pt1.
Feb 3rd
Last Sunday London welcomed Clint Eastwood, Morgan Freeman and Matt Damon for Invictus’s European Press Conference. Below is half of what took place, I will be getting up the second half in time for Invictus’s UK release on Friday. Check it out!
Clint Eastwood your at an age where most of us would be taking it a bit easier, yet you continue making challenging movies one after an other, you make some of the best movies we will see in any year, what is the driving force behind you? Why do you continue to work so much and so well?
Clint Eastwood: I sort of planned not working at this particular time in life, but nobody can plan on what they’re gonna do at my age of 49 (laughs). I just feel like I’m enjoying my work more now than I ever have, or just as much certainly. I’m at an age that I can take up more challenges than I have in the past because I know more and of course at this age you can forget more, but I’m trying to avoid that. I just enjoy it, I enjoy the process, being behind the camera, I enjoy that equally as much as being in front of the camera. I’ve been lucky enough to work in a profession that I’ve really liked, so I figured I’ll continue until someone hits me over the head and says get out (Laughs).
Matt you’ve always looked pretty handy when your fighting in your other films, how does that compare to Rugby?
Matt Damon: Any time your making a movie, it’s all choreography, except for this game, it’s a lot tougher to choreograph, it’s a lot more uncontrolled. A lot of the stuff we shot was what we called free play, just letting these guys go and nail each other and capture that. There was a whole physical challenge to get ready for the roll because I was playing a very famous man who everybody knows. It’s like any job though, it’s like a magic trick, ultimately your only job in a film is for the audience to believe, if they don’t for even a second you’ve failed because your taking them out of the story. You have to troubleshoot a year for the movie and think what will get me in trouble here and what do I have to solve, so Clint helped me out, Francois is a BIG guy and I’m an average sized guy, I thought people know what I look like and people know what he looked like how are we gonna get around this. Clint said maybe we can’t make you look 6’4 but we could make you look taller than 5’10, maybe we can make people not ask the question, so we used little tricks with the camera to make me look larger, shooting me higher, an insole in my shoe to give me an extra inch or so in height. Little things like that, then obviously a lot of work in the gym and working on the accent to make it believable.
From a filmakers point of view what were the challenges of filming a Rugby match compared to a dramatic scene?
Clint Eastwood: I didn’t grow up with Rugby, but I went and saw a lot matches, talked to a lot of people who have played, I talked to the coach at the Univercity Of California, a Rugby player by the name of Jack Clarke who gave a whole run down of the game, then I watched his practises and everything he did there. Then when we got to South Africa we got Chester, Francois and various people who had been in the game to go over it, so after talking to people I started to get a feel of the game and we hired Rugby players to play the parts, with the exception of Matt and one or two others, but they all came up to the game real fast so we just had them play. Chester was our coach, he would just tell the players to go out there and play Rugby, so they would be hitting real hard, our biggest challenge was to stay out of the way (laughs). So we did, our camera crew are used to working on the fly and that’s the way we approached it.
You’ve said Gran Torino will be your last time in front of the camera, do you still feel that way?
Clint Eastwood: I said that when we made Million Dollar Baby as well, the film was a success so I thought this will be a good time to quit on top, unlike most people who sort of drift down to the end, or like a prize fighter who fights one two many fights. But then Gran Torino came along, it was an interesting part, it was a man my age, I figured I wasn’t stretching that much so I decided on giving it another shot, I still say that, I might do ten roles, if ten great roles come up, but I don’t know how many great roles there are for a man of my age, 38 (laughs). You just don’t know, I had always planned when I starting directing in 1970 that after a few years I’d get tired of looking at myself on the screen but I continued on, every so often something pops up, I’m not saying it will never happen again, but the odds get less as you get older, when you set yourself in roles that fit your age group.
Has Nelson Mandela seen the film and what was his reaction? Also did you consult with him while creating the film?
Morgan Freeman: Yeah he’s seen it, he smiled a lot and nodded (laughs). When I first came onn screen he leaned over to me and said I know this fellow (laughs). I got the impression he wasn’t embarrassed. I didn’t consult with him before, I just consulted tapes, films on him, things like that. I didn’t go to him and say what do you feel about this or that because he’s 90 years old.
What was the most challenging thing about playing Mandela?
Morgan Freeman: The most challenging was the voice, the accent if you will. Everything else was easy, I’ve been watching him for years. Once I got the notion that one of these days I’d be playing him on screen it just became a thing of paying attention to him every chance I got. Whenever I was in his company, or when I saw him on screen I just watched him like one of these days I’m gonna have to do that
Invictus is in cinemas Febuary 5th