Horror legend Wes Craven has tweeted the first official set photo from Scream 4. The image itself isn’t that special, nonetheless it’s good to see Ghostface back in business. As a Wes Craven and Horror fan I’m pretty much obligated to see this – even though Scream 3 soured the series for me. After that film I no longer gave a damn dividend about the series or it‘s future, it’s sad because I loved the first one and I thought the second film was decent. Fingers crossed this is a return to form!

The horror series that reignited the genre and grossed more than $500 million worldwide is back! From Kevin Williamson, creator of the original Scream trilogy, the new film sees the return of cast members Neve Campbell, Courteney Cox, and David Arquette along with a group of new stars, who can all hopefully stay alive long enough to figure out the new rules to this one-of-a-kind horror franchise! This sequel stars Emma Roberts, Hayden Pantierre, Adrien Brody, Courtney Cox, Rory Culkin, Neve Campbell, and David Arquette.

A ridiculously talented director + a great cast + an interesting and original story + amazing imagery + jaw dropping action + heartfelt emotions= win win win win win win win win win win……and more win. Inception is finally in cinemas now and believe you me it does not disappoint. By a stretch it’s my favourite film of the year, Christopher Nolan has truly become the modern master of balancing entertainment and substance. 2010 has been a great year for Leonardo DiCaprio after an amazing performance in Shutter Island and now with an even more astonishing performance in Inception. I caught up with Christopher Nolan and Leonardo DiCaprio – two men at the top of their games - at the London Press conference for Inception. Check out what they had to say below:

What was your initial inspiration behind Inception, and how did it develop into the movie it is today?

Christopher Nolan: I’d always wanted to make a film that addressed dreams, and do something set in that world. About ten years ago I focused in on the idea of a exploring a technology that might allow people to share dreams, and the uses and abuses of that, and came up with this idea of doing a heist film set in the world of dreams with a technology that could be used to penetrate a person’s subconscious.

Inception is an emotionally complex and complicated film. When you were first approached to appear in the film, did you understand it?

Leonardo DiCaprio: It certainly took a couple of readings, but it was really the interaction with Chris, one-on-one. It’s an idea that’s been locked in his mind for eight years now. So for me a lot of the preparation was understanding what he wanted to accomplish and achieve. Being able to sit down with him and understand that he had this concept of doing a highly entertaining Hollywood film, that is existential, cerebral, surreal, and that delves into various states of the subconscious. The way that he wanted to put that up on screen involved us really talking with him at great lengths to truly understand his concepts.

How did you find the process of creating the rules of Inception’s dream worlds, as compared to the realism of The Dark Knight?

Christopher Nolan: I think that with every film you take on, you try to establish the rules and the tone of what you’re working with. In taking on the idea of dreams, you have a real burden on the rules of the film, because dreams are infinite and have infinite potential, which is the thing that really makes them fascinating in the first place. But it also makes them hard to address in drama, because anything can happen, and therefore how does anything matter? The rules of the world were designed to impose limits. The key thing for that, in my head, was to make it the story of a con, as soon as you take on the idea of trying to fool somebody and creating a reality for somebody else, naturally the team have to adhere to certain rules within the dream to avoid fracturing the reality of it.

Did you have get up to scratch on the world of dreams when researching your role?

Leonardo DiCaprio: I tried to take a very traditional approach to researching this film and read the analysis of dreams immediately and tried to pick apart the psychology of what things represented in the dream world. But I quickly realised that this was a whole new type of preparation, that meant basically talking with Chris at great length about this cathartic therapy session my character goes on, the psychoanalysis. In doing that we created this really powerful emotional journey.

As far as the analysis of the dreams in this movie, and how Chris was going to make four different states of the human subconscious interact with each other in a cohesive plot structure, I left that ENTIRELY up to Chris (laughs). I did not want to get involved, because Chris is obviously very capable of pulling off complex narratives like this and making them emotionally engaging for an audience. It’s reassuring as an actor to know you’re dealing with someone who has a great track record of accomplishing stuff like that. As far as my own dreams, I’m not a big dreamer, I think obviously we suppress things in life, emotions and thoughts, we wake up, and we should look at that. Ironically I had a really powerful dream the other day, I won’t get into the details of what it was but I remember sitting there saying to myself, forgetting totally that I’ve done this movie, but saying to myself, wait a minute, these details in this dream are real and I can create these dreams and manipulate the environment, I’ve heard this somewhere before (laughs). And I started to play with the dream in a very surreal way. I had that moment of knowing I was dreaming and being able to combat my surrounding so it was kind of cool. I had no previous knowledge I had done Inception or heard of this movie in that dream state so it was kind of fun.

The film was kept under a wraps. Why was this, and was it difficult to maintain such secrecy?

Christopher Nolan: It’s difficult to keep anything fresh in movies these days, with technology being what it is people seem to know everything there is to know before you’ve even made it. For me, as a film goer, I like nothing more than to sit in a cinema, have the lights go down and not know what I’m about to see and every time we go to make a film we do everything we can to just systematize things so we’re able to make the film in private. So then once it’s finished it’s up to the audience to make of it what they will.

What were the challenges of making this movie?

Christopher Nolan: For me, the underlying tone of the thing is best summed up by Leo’s character in the film when he says that dreams feel real while we’re in them. So everything we did in a production sense was an attempt to try and retain a tactile sense of reality to the world of the dreams, so they felt like possible worlds even as impossible things were happening. This creates challenges for all departments, for example, when you have a freight train barrelling down the street smashing cars and things. We wanted to do these things for real, so they would feel possible to the audience and that we wouldn’t have an obviously surreal quality to things. That’s why we went to all these locations and travelled all around the world, and shot in blizzards and so forth.

Inception is in cinemas NOW (finally!)

USA Today has got it’s hands on the first two production images from Shawn Levy’s Real Steel. They’ve also released the synopsis which you can read below. To be honest this film baffles me, a movie with Hugh Jackman training robots………I don’t get it, I would have loved to be in the meetings when they were pitching this film, I’m completely confuzzled! On the other hand I really like the cast and I also like the idea of using real robots instead of CGI. Director Shawn Levy’s CV isn’t exactly stellar either, it includes the likes of Night At The Museum, Date Night, Cheaper by the Dozen and The Pink Panther, not exactly light a fire in your belly type material!

A gritty, white-knuckle, action ride set in the near-future, where the sport of boxing has gone hi-tech, “Real Steel” stars Hugh Jackman as Charlie Kenton, a washed-up fighter who lost his chance at a title when 2000-pound, 8-foot-tall steel robots took over the ring. Now nothing but a small-time promoter, Charlie earns just enough money piecing together low-end bots from scrap metal to get from one underground boxing venue to the next. When Charlie hits rock bottom, he reluctantly teams up with his estranged son Max (Dakota Goyo) to build and train a championship contender. As the stakes in the brutal, no-holds-barred arena are raised, Charlie and Max, against all odds, get one last shot at a comeback. Real Steel stars Hugh Jackman, Evangeline Lilly, Dakota Goyo, Kevin Durand, Anthony Mackie and is Directed by Shawn Levy. Steven Spielberg serves as executive producer for this action sci-fi, which is slated to hit U.S. cinemas on November 18, 2011.

Above are the first two posters for M. Night Shyamalan’s The Last Airbender, with Dev Patel’s evil character Zuko on the right and Noah Ringer’s character Aang on the left. It’s been nearly 7 months since the impressive teaser trailer hit the internet, I’m not fully convinced about this though, just for the fact that M. Night’s last film was The Happening, that film was so bad it felt like a con, it was a huge, steaming, smelly turd of a film if there ever was one. I still think M. Night is a talented director (which frustrated me even more) and I believe this sort of source material will bring the best out of him. Look out for the trailer in Febuary

Based on the hugely successful Nickelodeon animated TV series, The Last Airbender is set in a world where human civilization is divided into four nations: Water, Earth, Air and Fire.

The Fire Nation is waging a ruthless, oppressive war against the other three nations. The film’s hero, the reluctant young Aang (Noah Ringer), is the “Last Airbender” — the Avatar who, according to prophecy, has the ability to manipulate all of the elements and bring all the nations together. Aided by a protective teenage Waterbender named Katara (Nicola Peltz) and her bull-headed brother Sokka, Aang proceeds on a perilous journey to restore balance to their war-torn world.

As you can probably tell from the logo in the corner, MTV have released a very slick and shiny new Tron Legacy poster. Disney aren’t playing around with the marketing of this film, this is the 3rd poster I’ve seen from this and we’re still 12 months away from it’s release. I remember watching the original as a kid and loving it, I hope this lives up to my expectations, visually it looks like it’ll be stunning, I always enjoy Jeff Bridges as well so I’m keeping my eye on this.

TRON: LEGACY is a 3D high-tech adventure set in a digital world that’s unlike anything ever captured on the big screen. Sam Flynn (GARRETT HEDLUND), the tech-savvy 27-year-old son of Kevin Flynn (JEFF BRIDGES), looks into his father’s disappearance and finds himself pulled into the digital world of Tron where his father has been living for 25 years. Along with Kevin’s loyal confidant Quorra (OLIVIA WILDE), father and son embark on a life-and-death journey of escape across a visually-stunning cyber universe that has become far more advanced and exceedingly dangerous.

The Domestic Trailer was released just a week ago, now today see’s the release of the International trailer, providing us with a lot more dialogue and an brief outline of the plot. So far reactions have been mixed in England to this (from what I’ve been hearing), which is kind of where I stand, on one hand it’s Russell Crowe he’s great at these roles (see Gladiator for proof) and Ridley Scott is not too shabby of a director when it comes to historical epics either (see Gladiator and Kingdom Of Heaven for proof). But on the negative side why isn’t Robin Hood an English actor (Sean Bean, Paddy Considine, Dominic West, Daniel Craig, Jim Sturgess, Christian Bale, Tom Hardy ect). I’m still definitely gonna check it out and after some thought I don’t give a monkeys what country the actor is from, as long as the film is good!

Robin Hood chronicles the life of an expert archer, previously interested only in self-preservation, from his service in King Richard’s army against the French. Upon Richard’s death, Robin travels to Nottingham, a town suffering from the corruption of a despotic sheriff and crippling taxation, where he falls for the spirited widow Lady Marion , a woman skeptical of the identity and motivations of this crusader from the forest. Hoping to earn the hand of Maid Marion and salvage the village, Robin assembles a gang whose lethal mercenary skills are matched only by its appetite for life. Together, they begin preying on the indulgent upper class to correct injustices under the sheriff.

With their country weakened from decades of war, embattled from the ineffective rule of the new king and vulnerable to insurgencies from within and threats from afar, Robin and his men heed a call to ever greater adventure. This unlikeliest of heroes and his allies set off to protect their country from slipping into bloody civil war and return glory to England once more.