Prince Of Persia And Alice In Wonderland Super Bowl TV Spot’s

disney prince of persia alice in wonderland Prince Of Persia And Alice In Wonderland Super Bowl TV Spots

Disney unveiled new TV Spot’s for Alice In Wonderland and Prince Perisa last night during the Super Bowl, which was seen by over 100 million people worldwide, so you know they paid some $$$$ for ad space! I’ve got mild interest in both of these, I’ve been a bit underwhelmed by some of Tim Burton’s latest work (Sweeney Todd, Charley and the Chocolate Factory, Planet Of The Apes). I’ve got no doubts it will be visually stunning, the cast is great as well (who doesn’t like Stephen Fry), hopefully it will be a return to form. The Prince Of Persia film does look like a lot of fun, I just hope it’s not a complete cgi fest, the TV spot slightly increased my interest. You can check out the Robin Hood TV Spot here and The Last Airbender TV Spot here

Prince Of Persia TV Spot

Alice In Wonderland TV Spot

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February 8th, 2010

The Top 10 Moustaches In Film

To put it out there I’m much more of a beard man myself, moustaches aren’t really my thing, they do intrigue me though, they come in every shape and size, they are synonymous with a wide range of people, your sophisticated gentleman, 1980’s porn star, a hill billy and cowboys. It has been said they give men a special source of righteous/evil power depending on the moustachee.

Tom Selleck tash The Top 10 Moustaches In Film

Tom Selleck has done more for moustaches than what gypsies have done for caravans, he’s that integral. Him and Sam Elliot share the co-regency for Moustache King of the Universe. When you think of Tom Selleck your first thought isn’t Magnum PI or 3 Men and a Baby, it’s his legendary tash.

sam elliot tash The Top 10 Moustaches In Film

Sam Elliot is co-regent of Moustache King of the Universe with Tom Selleck. Many conspiracy theorists have stated that his Moustache has completely engulfed his lips, which is the reason for his gruff voice.

daniel day lewis tash The Top 10 Moustaches In Film

Not only is Daniel Day Lewis one of the greatest actors of all time, he is also a moustache connoisseur, his finest moustached achievement was as Bill The Butcher in Gangs Of New York. His other notable moustached performance was as Daniel Plainview in the brilliant There Will Be Blood.

clark gable The Top 10 Moustaches In Film

Clark Gable has the crème de la crème of gentlemans moustache, he could beat you at poker, drink scotch and bed your woman all at once. A master of the pencil moustache, he set the trend for gentlemen around the world.

richard pryor The Top 10 Moustaches In Film

Richard Pryor is the funniest man to do stand up comedy, period. he also starred in 45 movies. The alleged source of his supreme comedic prowess was his moustache. RIP

burt reynolds tash The Top 10 Moustaches In Film

When I think of a stereotypical moustached hollywood actor in the 1980’s I think of Burt Reynolds, he has the archetype bad pornstar moustache. His follwers have given his tash a  hugely original name – the Burtstache (I’m not lying google it or join the facebook fan page)

charlie chaplin1 The Top 10 Moustaches In Film

Thanks to Adolf Hitler this style of moustache never really caught on circa 1939. Chalie Chaplin is one of the most influential actors, comedians and directors in cinemas young history, it’s a shame his moustache resembles Hitlers.

borat mustache1 The Top 10 Moustaches In Film

Borat sports the  perfect dorky moustache, he just looks awkward, this the the weird science teachers moustache, not very cool but undeniably awesome.

hulk hogen The Top 10 Moustaches In Film

Hulk Hogan has probably been in some of the worst movies of all time, they are so bad you could use them as coercive interrogation (torture). The only saving grace is his horseshoe moustache, if you focus on his tash the whole time, you’ll be able to get through them, just.

jason lee baby cc The Top 10 Moustaches In Film

Jason Lee has done great things for the moustache in the 21st century, beards have almost fully taken over but Jason is standing strong.


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February 5th, 2010

Robin Hood – Super Bowl TV Spot

robin hood film poster Robin Hood   Super Bowl TV Spot

Yahoo have debuted the new TV Spot for Ridley Scott’s Robin Hood. I’ve been keeping my eye on this, for me this is what Ridley Scott does best, I loved Gladiator and Kingdom Of Heaven, he’s got epics mastered. Russell Crowe is always great in these sort of roles, to  be honest though his English accent sounded very dodgy, Don Cheadle in Oceans 13′esq (Don Cheadle’s great but he can’t be forgiven). And yes it does look a bit like Gladiator with bows and arrows.

In Robin Hood, the Earl of Huntington (Crowe) has returned to his North English village after fighting in the Third Crusade. Upon arrival, the nobleman and his servants discover the oppression caused by Nottingham’s new Sheriff (Matthew Macfadyen). Robin along with his band of Merry Men use their intelligence and military skills to free his home village from tyranny and corruption by taking back what is rightfully his. Robin must also win the affection of the recently widowed Maid Marian (Blanchett), while attempting to lead a successful revolt.

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February 5th, 2010

The Last Airbender: Super Bowl TV Spot

dev patel airbender The Last Airbender: Super Bowl TV Spot

Expect to see a steady stream of trailers and TV Spot’s this week in time for the Superbowl – 100 million viewers. Below is the new Tv Spot for M.Night Shyamalan’s The Last Airbender, it definitely looks a lot better than Dragonball, which isn’t saying much, it also should be at least 3536 times better than Shyamalan’s last film The Happening, which also isn’t saying much. Negativity and jokes aside this looks pretty good, the visuals look great. I’m slowly coming down from the fence for this.

The film is set in a world where human civilization is divided into four nations: Water, Earth, Air and Fire. The Fire Nation is waging a ruthless, oppressive war against the other three nations. The film’s hero, the reluctant young Aang (Noah Ringer), is the “Last Airbender” — the Avatar who, according to prophecy, has the ability to manipulate all of the elements and bring all the nations together. Aided by a protective teenage Waterbender named Katara (Nicola Peltz) and her bull-headed brother Sokka, Aang proceeds on a perilous journey to restore balance to their war-torn world. Dev Patel plays the Fire Nation’s evil prince Zuko. Exiled from the Fire Nation by his father, Zuko is sent to capture the Avatar in order to restore his honor and right to the throne.

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February 5th, 2010

Invictus Press Conference with Clint Eastwood, Morgan Freeman & Matt Damon Pt2

clint eastwood morgan freeman Invictus Press Conference with Clint Eastwood, Morgan Freeman & Matt Damon Pt2

Last Sunday London welcomed Clint Eastwood, Morgan Freeman and Matt Damon for Invictus’s European Press Conference. Below is  the second half of what took place, you can check out part 1 here. Invictus is in UK cinemas 5th Febuary.

I read that you try to take as little amount of takes as possible while making your film.

Clint Eastwood: I always try to do one, it doesn’t necessarily work out that way though. If that one take works I’ll take that, if the third take works I’ll print that. Sometimes I do like to have a few different set ups but I’ll try and make a decision right at that time, whether it’s good, bad or otherwise. I think once you start doing, thirty or forty takes, you can get lost somewhere and you don’t know what you are looking for, I like to think I know what I’m looking for, right or wrong.

As actors what’s it like working with Clint?

Morgan Freeman: I take Clint as my favourite director to work with because I respond very well to the one or two take director, he’s the most consistent in that area. Directors who as Clint said that need seventeen takes, I don’t think they know what they want, it certainly doesn’t help the actors sense or security when he has to keep going over and over things and you don’t know why, you think what am I doing, what do you want,.

Matt Damon: Yeah some people just collect a bunch of footage and edit it later. You definitely feel a lot more protected when the director is moving on, you feel like something is happening, so you know they are watching intently. Coppolla told me that Antonioni said to him, this is before the days of video village that as a director you should stand right next to the camera, look with your naked eye and if you see something that is real to you, you look up to your operator and if your operator gives you the look that yeah I saw that too, then you print and move on. Clint basically cuts on camera, I’ve worked with a couple of guys who do that and as Morgan said it gives you a real sense of security because you know you’re in very able hands and the director is watching the movie unfold, your getting what you wanna get and it doesn’t take seventeen hours to get it.

Clint Eastwood: I’ve always felt a lot of times when a person has to do twenty takes on something, it’s usually for one or two reason, either they don’t quite know what they’re looking for or also they don’ know what there next set up is so they’re using up the time and utilising the actors to kill time until some great idea comes to them, that becomes a bit of a problem, there not abusing the actors because they’re there to act but it’s a bit unfair, it will give them a big sense of insecurity as Morgan said, I’ve worked with people like that myself. In the old days a lot of people done it defensively because they felt they didn’t want to leave a load of extra film because they didn’t want the studio executives to come in and recur their film and restructure everything, so they would give them it as little as possible, there’s only one way of putting it together, that was done back in the thirty’s and forty’s when the execs had a tremendous amount of power

2009 invictus 9 12 09 kc Invictus Press Conference with Clint Eastwood, Morgan Freeman & Matt Damon Pt2

Looking over your films as a director which has been the biggest challenge for you and why? And which of your acting performances are you most proud of?

Clint Eastwood: When you’ve done as many films as I’ve done you just keep going, I never look back and think too much about them, I’ve done some work I’ve been proud of over the years but which is my favourite, I don’t know. I’ve had little jumps in my career, like Unforgiven and then when I tried to do something different, Letters To Iwo Jima I liked doing a lot, anything with Morgan Freeman and Matt Damon (laughs). I like to get a chance too work with people I respect a lot. A favourite performance I don’t know. Once the films done and once something been performed, it’s up to someone else to make a judgement on it.

When you choose the subject do you trust in your instincts? How do you choose your films?

Clint Eastwood: Yes I do, I always trust my instincts, it was just a story that I liked, I didn’t approach it about a picture about Rugby, we obviously wanted to make the Rugby very good because that was an inspiration for Mr Mandela, to utilize it as a tool to unite his country. Morgan called me and said look I’ve got a really good script, he didn’t even tell me it was about Nelson Mandela, so I read the script and liked it very much, I’ve always been an admirer of Nelson Mandela, I was amazed by reading the script and the book because it seems so creative, such a creative way to unify a country, which was in really deep trouble, almost on the brink of civil war. Mr Mandela had been in prison for quite a few years, nobody knew what was gonna happen when he came out, then he came out with this kind of an imagination, I just thought this is something politicians around the world could learn a lot from, having a certain creativity and bringing people together, instead of just talking about it he was doing it, that was my reason for doing the picture, Rugby was exciting and that was fun, but even if it was Nelson Mandela and Texas Hold Em Poker I still would have done it because I admire the man.

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February 5th, 2010

Terrence Malick Teams Up With Bale, Bardem & McAdams For Upcoming Project

christian bale macadams Terrence Malick Teams Up With Bale, Bardem & McAdams For Upcoming Project

This is the best bit of movie news I’ve heard in a while, it made my day, literally! Deadline Hollywood is reporting that Terrence Malick has his next film lined up, an untitled romantic drama which is ready to start shooting Autumn 2010. I’m a HUGE (note the caps lock) admirer of Terrence Malick, patience has definitely been a virtue for a fan of Malick, this is the guy who has made 5 movies in 37 years, including a 20 year break between Days Of Heaven and The Thin Red Line, his fifth film is being released this year – The Tree Of Life. To put the cherry on top the cast on board is great Christian Bale (who had a role in Malick’s 2005 film, “The New World”) , Javier Bardem, Rachel McAdams, and Olga Kurylenko. Romance movies generally don’t prick my ears up,  if anyone could make a moving romance film that I personally would enjoy, it would be Malick, his movies are always visually stunning, philosophical and touching.

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February 4th, 2010

Ironclad Poster

ironclad poster Ironclad Poster

This looks like it will be one of those movies men love and women hate, it’s like the anti Sex & The City 2, which for me is a great thing! Empire debuted the poster earlier today, anything described as a ‘medieval Seven Samurai’ immediently get’s my attention. I’m gonna keep an eye on this. Look out for the teaser trailer in the next few weeks.

Set in thirteenth Century England, at the time of King John and the Magna Carta treaty, Ironclad tells the true story of a motley crew of tough, battle hardened warriors, who withstood several brutal and bloody months under siege, in a desperate bid to defend their country’s freedom. The cast includes Paul Giamatti, James Purefoy, Brian Cox, Mackenzie Crook, Jason Flemying, Derek Jacobi and Kate Mara.

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February 3rd, 2010

Smurf Movie Encounters A Problem!

smurf movie Smurf Movie Encounters A Problem!

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February 3rd, 2010

Invictus Press Conference with Clint Eastwood, Morgan Freeman & Matt Damon Pt1.

invictus eastwood Invictus Press Conference with Clint Eastwood, Morgan Freeman & Matt Damon Pt1.

Last Sunday London welcomed Clint Eastwood, Morgan Freeman and Matt Damon for Invictus’s European Press Conference. Below is  half of what took place, I will be getting up the second half in time for Invictus’s UK release on Friday. Check it out!

Clint Eastwood your at an age where most of us would be taking it a bit easier, yet you continue making challenging movies one after an other, you make some of the best movies we will see in any year, what is the driving force behind you? Why do you continue to work so much and so well?

Clint Eastwood: I sort of planned not working at this particular time in life, but nobody can plan on what they’re gonna do at my age of 49 (laughs). I just feel like I’m enjoying my work more now than I ever have, or just as much certainly. I’m at an age that I can take up more challenges than I have in the past because I know more and of course at this age you can forget more, but I’m trying to avoid that. I just enjoy it, I enjoy the process, being behind the camera, I enjoy that equally as much as being in front of the camera. I’ve been lucky enough to work in a profession that I’ve really liked, so I figured I’ll continue until someone hits me over the head and says get out (Laughs).

Matt you’ve always looked pretty handy when your fighting in your other films, how does that compare to Rugby?

Matt Damon: Any time your making a movie, it’s all choreography, except for this game, it’s a lot tougher to choreograph, it’s a lot more uncontrolled. A lot of the stuff we shot was what we called free play, just letting these guys go and nail each other and capture that. There was a whole physical challenge to get ready for the roll because I was playing a very famous man who everybody knows. It’s like any job though, it’s like a magic trick, ultimately your only job in a film is for the audience to believe, if they don’t for even a second you’ve failed because your taking them out of the story. You have to troubleshoot a year for the movie and think what will get me in trouble here and what do I have to solve, so Clint helped me out, Francois is a BIG guy and I’m an average sized guy, I thought people know what I look like and people know what he looked like how are we gonna get around this. Clint said maybe we can’t make you look 6′4 but we could make you look taller than 5′10, maybe we can make people not ask the question, so we used little tricks with the camera to make me look larger, shooting me higher, an insole in my shoe to give me an extra inch or so in height. Little things like that, then obviously a lot of work in the gym and working on the accent to make it believable.

From a filmakers point of view what were the challenges of filming a Rugby match compared to a dramatic scene?

Clint Eastwood: I didn’t grow up with Rugby, but I went and saw a lot matches, talked to a lot of people who have played, I talked to the coach at the Univercity Of California, a Rugby player by the name of Jack Clarke who gave a whole run down of the game, then I watched his practises and everything he did there. Then when we got to South Africa we got Chester, Francois and various people who had been in the game to go over it, so after talking to people I started to get a feel of the game and we hired Rugby players to play the parts, with the exception of Matt and one or two others, but they all came up to the game real fast so we just had them play. Chester was our coach, he would just tell the players to go out there and play Rugby, so they would be hitting real hard, our biggest challenge was to stay out of the way (laughs). So we did, our camera crew are used to working on the fly and that’s the way we approached it.

Invictus Quad Invictus Press Conference with Clint Eastwood, Morgan Freeman & Matt Damon Pt1.

You’ve said Gran Torino will be your last time in front of the camera, do you still feel that way?

Clint Eastwood: I said that when we made Million Dollar Baby as well, the film was a success so I thought this will be a good time to quit on top, unlike most people who sort of drift down to the end, or like a prize fighter who fights one two many fights. But then Gran Torino came along, it was an interesting part, it was a man my age, I figured I wasn’t stretching that much so I decided on giving it another shot, I still say that, I might do ten roles, if ten great roles come up, but I don’t know how many great roles there are for a man of my age, 38 (laughs). You just don’t know, I had always planned when I starting directing in 1970 that after a few years I’d get tired of looking at myself on the screen but I continued on, every so often something pops up, I’m not saying it will never happen again, but the odds get less as you get older, when you set yourself in roles that fit your age group.

Has Nelson Mandela seen the film and what was his reaction? Also did you consult with him while creating the film?

Morgan Freeman: Yeah he’s seen it, he smiled a lot and nodded (laughs). When I first came onn screen he leaned over to me and said I know this fellow (laughs). I got the impression he wasn’t embarrassed. I didn’t consult with him before, I just consulted tapes, films on him, things like that. I didn’t go to him and say what do you feel about this or that because he’s 90 years old.

What was the most challenging thing about playing Mandela?

Morgan Freeman: The most challenging was the voice, the accent if you will. Everything else was easy, I’ve been watching him for years. Once I got the notion that one of these days I’d be playing him on screen it just became a thing of paying attention to him every chance I got. Whenever I was in his company, or when I saw him on screen I just watched him like one of these days I’m gonna have to do that

Invictus is in cinemas Febuary 5th

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February 3rd, 2010

Oscar Nominations List

oscars Oscar Nominations List

I’m not suprised by much of these nominations, they definitely took the easy route, the obvious snubs for me were Moon for Best Picture (The Blind Side?!?!), Sam Rockwell for Best Actor, Samson & Delilah  and (500) Days Of Summer. Avatar and The Hurt Locker lead the pack with 9 nominations each. I’ve bolded and italiced (if they are actual words) who I think should win.

Actress in a supporting role
Mo’Nique in Precious
Vera Farmiga in Up in the Air
Penélope Cruz in Nine
Diane Kruger in Inglourious Basterds
Maggie Gyllenhaal in Crazy Heart

Actor in a supporting role
Christoph Waltz in Inglourious Basterds
Christopher Plummer in The Last Station
Matt Damon in Invictus
Stanley Tucci in The Lovely Bones
Woody Harrelson in The Messengers

Actor in a leading role
Morgan Freeman in Invictus
Jeff Bridges in Crazy Heart
George Clooney in Up in the Air
Colin Firth in A Single Man
Jeremy Renner in The Hurt Locker

Actress in a leading role
Meryl Streep in Julie & Julia in It’s Complicated
Sandra Bullock in The Blind Side
Helen Mirren in The Last Station
Gabourey Sidibe in Precious
Carey Mulligan in An Education

Animated feature film
Up (Pete Docter and Bob Peterson)
The Princess and the Frog (Ron Clements and John Musker)
Coraline (Henry Selick)
Fantastic Mr Fox (Wes Anderson)
Secret of Kells

Foreign language film
Ajami (Scandar Copti and Yaron Shani, Israel)
A Prophet (Jacques Audiard, France)
The Secret of Her Eyes (Juan Jose Campanella, Argentina)
The White Ribbon (Michael Haneke, Germany)
The Milk of Sorrow (Claudia Llosa, Peru)

Directing
Avatar (James Cameron)
The Hurt Locker (Kathryn Bigelow)
Inglourious Basterds (Quentin Tarantino)
Jason Reitman (Up in the Air)
Lee Daniels (Precious)

Writing (adapted screenplay)
District 9 (Neill Blomkamp and Terri Tatchell)
An Education (Nick Hornby)
Precious (Geoffrey Fletcher)
Up in the Air (Jason Reitman and Sheldon Turner)
In the Loop (Jesse Armstrong, Simon Blackwell, Armando Iannucci, Ian Martin and Tony Roche)

Writing (original screenplay)
The Hurt Locker (Mark Boal)
Inglourious Basterds (Quentin Tarantino)
A Serious Man (Joel and Ethan Coen)
Up (Pete Docter and Bob Petersen)
The Messenger (Alessandro Camon and Oren Moverman)

Best picture
Avatar (James Cameron – director; Brooke Breton , Laeta Kalogridis, Jon Landau, Josh McLaglen, Janace Tashjian, Peter M Tobyansen, Colin Wilson – producers)
District 9 (Neill Blomkamp – director, Bill Block, Philippa Boyens, Carolynne Cunningham, Elliot Ferwerda, Paul Hanson, Peter Jackson, Ken Kamins, Michael S Murphey – producers)
An Education (Lone Scherfig)
The Hurt Locker (Kathryn Bigelow)
Inglourious Basterds (Quentin Tarantino)
Precious (Lee Daniels)
A Serious Man (Joel and Ethan Coen)
Up in the Air (Jason Reitman)
The Blind Side (John Lee Hancock)
Up

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February 2nd, 2010